Academy Award for Best Costume Design
| Academy Award for Best Costume Design | |
|---|---|
 The 2025 recipient: Paul Tazewell | |
| Country | United States |
| Presented by | Academy of Motion Picture Arts and Sciences (AMPAS) |
| First award | March 24, 1949 (for films released in 1948) |
| Most recent winner | Paul Tazewell Wicked (2024) |
| Website | oscars |
The Academy Award for Best Costume Design is one of the Academy Awards presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) for achievement in film costume design.[1]
The award was first given in 1949, for films made in 1948. Initially, separate award categories were established for black-and-white films and color films. Since the merger of the two categories in 1967, the Academy has traditionally avoided giving out the award to films with a contemporary setting.[2]
Award
| Part of a series on |
| Costume |
|---|
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The Academy Award for Best Costume Design is given out annually by the Academy of Motion Picture Arts & Sciences for the best achievement of film costume design of the previous year. Films that are eligible for the award must meet a series of criteria, including the requirement that the costumes must have been "conceived" by a costume designer. For this particular criteria, each submission is reviewed by the costume designer members of the Art Directors Branch prior to the ballot process. Further rules include that the nominee(s) be only the principal costume designer(s), that the five films that receive the highest number of votes will become the ceremony's nominations for final voting, and that the final voting will only be undertaken by active and life members of the academy.[3]
History
The Academy Award for Best Costume Design was first given out at the 21st Academy Awards,[4] held on March 24, 1949. The award had two subcategories, one for films in black and white and one for films in color.[5] At the 30th Academy Awards, held on March 26, 1958, these two subcategories were merged into one,[6] which was the result of the academy reducing the number of competitive categories from 30 to 24.[7] The 32nd Academy Awards saw the category again be split into two for recognition of both black and white and color film.[8] Eight years later, the Academy Award for Best Costume Design, along with two other awards, were each combined into their own single category recognizing achievement in film.[9]
From 1949 to 1966, most Academy Awards for Best Costume Design in Black and White were given to a contemporary movie. On the other hand, epics, fantasies, and musicals dominated the color category.[10] Since the merger into one singular category for color films in 1967, films set in modern times have won only three times.[11] The three contemporary-set winners have been Travels with My Aunt, All That Jazz, and The Adventures of Priscilla, Queen of the Desert.[11] All other winners during this period have been set in the past or in a science-fiction or fantasy setting.
Winners and nominees
indicates the winner
1940s
| Year | Film | Costume designer(s) |
|---|---|---|
| 1948 (21st) [12] |
Black-and-White | |
| Hamlet | Roger K. Furse | |
| B.F.'s Daughter | Irene | |
| Color | ||
| Joan of Arc | Dorothy Jeakins and Karinska | |
| The Emperor Waltz | Edith Head and Gile Steele | |
| 1949 (22nd) [13] | ||
| Black-and-White | ||
| The Heiress | Edith Head and Gile Steele | |
| Prince of Foxes | Vittorio Nino Novarese | |
| Color | ||
| Adventures of Don Juan | Leah Rhodes, Travilla and Marjorie Best | |
| Mother Is a Freshman | Kay Nelson | |
1950s
| Year | Film | Costume designer(s) |
|---|---|---|
| 1950 (23rd) [14] |
Black-and-White | |
| All About Eve | Edith Head and Charles LeMaire | |
| Born Yesterday | Jean Louis | |
| The Magnificent Yankee | Walter Plunkett | |
| Color | ||
| Samson and Delilah | Edith Head, Dorothy Jeakins, Elois Jenssen, Gile Steele and Gwen Wakeling | |
| The Black Rose | Michael Whittaker | |
| That Forsyte Woman | Walter Plunkett and Valles | |
| 1951 (24th) [15] | ||
| Black-and-White | ||
| A Place in the Sun | Edith Head | |
| Kind Lady | Walter Plunkett and Gile Steele (posthumously) | |
| The Model and the Marriage Broker | Charles LeMaire and Renié | |
| The Mudlark | Edward Stevenson and Margaret Furse | |
| A Streetcar Named Desire | Lucinda Ballard | |
| Color | ||
| An American in Paris | Orry-Kelly, Walter Plunkett and Irene Sharaff | |
| David and Bathsheba | Charles LeMaire and Edward Stevenson | |
| The Great Caruso | Helen Rose and Gile Steele (posthumously) | |
| Quo Vadis | Herschel McCoy | |
| Tales of Hoffmann | Hein Heckroth | |
| 1952 (25th) [16] | ||
| Black-and-White | ||
| The Bad and the Beautiful | Helen Rose | |
| Affair in Trinidad | Jean Louis | |
| Carrie | Edith Head | |
| My Cousin Rachel | Charles LeMaire and Dorothy Jeakins | |
| Sudden Fear | Sheila O'Brien | |
| Color | ||
| Moulin Rouge | Marcel Vertès | |
| The Greatest Show on Earth | Edith Head, Dorothy Jeakins and Miles White | |
| Hans Christian Andersen | Clavé, Mary Wills and Madame Karinska | |
| The Merry Widow | Helen Rose and Gile Steele (posthumously) | |
| With a Song in My Heart | Charles LeMaire | |
| 1953 (26th) [17] | ||
| Black-and-White | ||
| Roman Holiday | Edith Head | |
| The Actress | Walter Plunkett | |
| Dream Wife | Helen Rose and Herschel McCoy | |
| From Here to Eternity | Jean Louis | |
| The President's Lady | Charles LeMaire and Renié | |
| Color | ||
| The Robe | Charles LeMaire and Emile Santiago | |
| The Band Wagon | Mary Ann Nyberg | |
| Call Me Madam | Irene Sharaff | |
| How to Marry a Millionaire | Charles LeMaire and Travilla | |
| Young Bess | Walter Plunkett | |
| 1954 (27th) [18] | ||
| Black-and-White | ||
| Sabrina | Edith Head | |
| The Earrings of Madame de... | Georges Annenkov and Rosine Delamare | |
| Executive Suite | Helen Rose | |
| Indiscretion of an American Wife | Christian Dior | |
| It Should Happen to You | Jean Louis | |
| Color | ||
| Gate of Hell | Sanzo Wada | |
| Brigadoon | Irene Sharaff | |
| Desiree | Charles LeMaire and René Hubert | |
| A Star Is Born | Jean Louis, Mary Ann Nyberg and Irene Sharaff | |
| There's No Business Like Show Business | Charles LeMaire, William Travilla and Miles White | |
| 1955 (28th) [19] | ||
| Black-and-White | ||
| I'll Cry Tomorrow | Helen Rose | |
| The Pickwick Papers | Beatrice Dawson | |
| Queen Bee | Jean Louis | |
| The Rose Tattoo | Edith Head | |
| Ugetsu | Tadaoto Kainosho | |
| Color | ||
| Love Is a Many-Splendored Thing | Charles LeMaire | |
| Guys and Dolls | Irene Sharaff | |
| Interrupted Melody | Helen Rose | |
| To Catch a Thief | Edith Head | |
| The Virgin Queen | Charles LeMaire and Mary Wills | |
| 1956 (29th) [20] | ||
| Black-and-White | ||
| The Solid Gold Cadillac | Jean Louis | |
| Seven Samurai | Kohei Ezaki | |
| The Power and the Prize | Helen Rose | |
| The Proud and Profane | Edith Head | |
| Teenage Rebel | Charles LeMaire and Mary Wills | |
| Color | ||
| The King and I | Irene Sharaff | |
| Around the World in 80 Days | Miles White | |
| Giant | Moss Mabry and Marjorie Best | |
| The Ten Commandments | Edith Head, Ralph Jester, John Jensen, Dorothy Jeakins and Arnold Friberg | |
| War and Peace | Maria De Matteis | |
| 1957 (30th) [6] [note 1] |
||
| Les Girls | Orry-Kelly | |
| An Affair to Remember | Charles LeMaire | |
| Funny Face | Edith Head and Hubert de Givenchy | |
| Pal Joey | Jean Louis | |
| Raintree County | Walter Plunkett | |
| 1958 (31st) [21] [note 1] | ||
| Gigi | Cecil Beaton | |
| Bell, Book and Candle | Jean Louis | |
| The Buccaneer | Ralph Jester, Edith Head and John Jensen | |
| A Certain Smile | Charles LeMaire and Mary Wills | |
| Some Came Running | Walter Plunkett | |
| 1959 (32nd) [8] | ||
| Black-and-White | ||
| Some Like It Hot | Orry-Kelly | |
| Career | Edith Head | |
| The Diary of Anne Frank | Charles LeMaire and Mary Wills | |
| The Gazebo | Helen Rose | |
| The Young Philadelphians | Howard Shoup | |
| Color | ||
| Ben-Hur | Elizabeth Haffenden | |
| The Best of Everything | Adele Palmer | |
| The Big Fisherman | Renié | |
| The Five Pennies | Edith Head | |
| Porgy and Bess | Irene Sharaff | |
1960s
1970s
| Year | Film | Costume designer(s) |
|---|---|---|
| 1970 (43rd) [32] | ||
| Cromwell | Vittorio Nino Novarese | |
| Airport | Edith Head | |
| Darling Lili | Jack Bear and Donald Brooks | |
| The Hawaiians | Bill Thomas | |
| Scrooge | Margaret Furse | |
| 1971 (44th) [33] | ||
| Nicholas and Alexandra | Yvonne Blake and Antonio Castillo | |
| Bedknobs and Broomsticks | Bill Thomas | |
| Death in Venice | Piero Tosi | |
| Mary, Queen of Scots | Margaret Furse | |
| What's the Matter with Helen? | Morton Haack | |
| 1972 (45th) [34] | ||
| Travels with My Aunt | Anthony Powell | |
| The Godfather | Anna Hill Johnstone | |
| Lady Sings the Blues | Ray Aghayan, Norma Koch and Bob Mackie | |
| The Poseidon Adventure | Paul Zastupnevich | |
| Young Winston | Anthony Mendleson | |
| 1973 (46th) [35] | ||
| The Sting | Edith Head | |
| Cries and Whispers | Marik Vos | |
| Ludwig | Piero Tosi | |
| Tom Sawyer | Donfeld | |
| The Way We Were | Dorothy Jeakins and Moss Mabry | |
| 1974 (47th) [36] | ||
| The Great Gatsby | Theoni V. Aldredge | |
| Chinatown | Anthea Sylbert | |
| Daisy Miller | John Furniss | |
| The Godfather Part II | Theadora Van Runkle | |
| Murder on the Orient Express | Tony Walton | |
| 1975 (48th) [37] | ||
| Barry Lyndon | Milena Canonero and Ulla-Britt Söderlund | |
| The Four Musketeers | Yvonne Blake and Ron Talsky[note 2][38] | |
| Funny Lady | Ray Aghayan and Bob Mackie | |
| The Magic Flute | Karin Erskine and Henny Noremark | |
| The Man Who Would Be King | Edith Head | |
| 1976 (49th) [39] | ||
| Fellini's Casanova | Danilo Donati | |
| Bound for Glory | William Ware Theiss | |
| The Incredible Sarah | Anthony Mendleson | |
| The Passover Plot | Mary Wills | |
| The Seven-Per-Cent Solution | Alan Barrett | |
| 1977 (50th) [40] | ||
| Star Wars | John Mollo | |
| Airport '77 | Edith Head and Burton Miller | |
| Julia | Anthea Sylbert | |
| A Little Night Music | Florence Klotz | |
| The Other Side of Midnight | Irene Sharaff | |
| 1978 (51st) [41] | ||
| Death on the Nile | Anthony Powell | |
| Caravans | Renié | |
| Days of Heaven | Patricia Norris | |
| The Swarm | Paul Zastupnevich | |
| The Wiz | Tony Walton | |
| 1979 (52nd) [42] | ||
| All That Jazz | Albert Wolsky | |
| Agatha | Shirley Ann Russell | |
| Butch and Sundance: The Early Days | William Ware Theiss | |
| La Cage aux Folles | Ambra Danon and Piero Tosi | |
| The Europeans | Judy Moorcroft |
1980s
1990s
2000s
2010s
2020s
| Year | Film | Costume designer(s) |
|---|---|---|
| 2020/21 (93rd) [81] | ||
| Ma Rainey's Black Bottom | Ann Roth | |
| Emma | Alexandra Byrne | |
| Mank | Trish Summerville | |
| Mulan | Bina Daigeler | |
| Pinocchio | Massimo Cantini Parrini | |
| 2021 (94th) [82] | ||
| Cruella | Jenny Beavan | |
| Cyrano | Massimo Cantini Parrini and Jacqueline Durran | |
| Dune | Jacqueline West and Bob Morgan | |
| Nightmare Alley | Luis Sequeira | |
| West Side Story | Paul Tazewell | |
| 2022 (95th) [83] | ||
| Black Panther: Wakanda Forever | Ruth E. Carter | |
| Babylon | Mary Zophres | |
| Elvis | Catherine Martin | |
| Everything Everywhere All at Once | Shirley Kurata | |
| Mrs. Harris Goes to Paris | Jenny Beavan | |
| 2023 (96th) [84] | ||
| Poor Things | Holly Waddington | |
| Barbie | Jacqueline Durran | |
| Killers of the Flower Moon | Jacqueline West | |
| Napoleon | Janty Yates and Dave Crossman | |
| Oppenheimer | Ellen Mirojnick | |
| 2024 (97th) [85] | ||
| Wicked | Paul Tazewell | |
| A Complete Unknown | Arianne Phillips | |
| Conclave | Lisy Christl | |
| Gladiator II | Janty Yates and Dave Crossman | |
| Nosferatu | Linda Muir |
Notes
- ^ a b In 1957 and 1958, black-and-white and color films competed in a combined Best Costume Design category.
- ^ Yvonne Blake publicly complained about sharing a nomination with Ron Talsky for The Four Musketeers. She alleged that he "only designed one creation for Raquel Welch" for the preceding film The Three Musketeers. "Talsky was in no way involved creatively on the second picture," she said, but he retained his Oscar nomination because of his on-screen credit as costume designer for Welch.
- ^ Jane Clive was initially announced as a nominee for Maleficent, but was later removed from the nomination.
Shortlisted finalists
Finalists for Best Costume Design were selected by branch members, who voted for ten finalists which were screened to determine the five nominees.[86]
Superlatives
| Category | Name | Superlative | Notes |
|---|---|---|---|
| Most Awards[99] | Edith Head | 8 awards | Awards resulted from 35 nominations |
| Most Nominations[99] | 35 nominations | Nominations resulted in 8 awards | |
| Most Nominations (without ever winning) |
Patricia Norris | 6 nominations | Nominations resulted in no awards |
Age superlatives
| Record | Designer | Film | Age |
|---|---|---|---|
| Oldest winner | Ann Roth | Ma Rainey's Black Bottom | 89 years, 177 days |
| Oldest nominee | 89 years, 136 days | ||
| Youngest winner | Elois Jenssen | Samson and Delilah | 28 years, 144 days |
| Youngest nominee | 28 years, 99 days |
Multiple wins and nominations
The following 96 designers have received multiple nominations for the Academy Award for Best Costume Design. This list is sorted by the number of total awards (with the number of total nominations listed in parentheses).
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|
|
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See also
- BAFTA Award for Best Costume Design
- Critics' Choice Movie Award for Best Costume Design
- Costume Designers Guild Awards
- Saturn Award for Best Costume Design
- List of Academy Award–nominated films
References
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