Hayes Alvis |
|---|
| Birth name | Hayes Julian Alvis |
|---|
| Born | (1907-05-01)May 1, 1907 Chicago, Illinois, U.S. |
|---|
| Died | December 29, 1972(1972-12-29) (aged 65) New York City, New York, U.S. |
|---|
| Genres | Jazz |
|---|
Hayes Alvis (May 1, 1907 – December 29, 1972) was an American jazz bassist and tuba player.[1]
Career
Alvis began on drums but switched to tuba and bass after playing with Jelly Roll Morton in 1927–1928.[2] He played tuba with Earl Hines from 1928 to 1930, and created arrangements for Hines as well.[2]
He moved to New York City in 1931 and played with Jimmie Noone in the Mills Blue Rhythm Band from 1931 to 1934 and 1936.[2] An early double-bass solo can be heard on the latter group's "Rhythm Spasm" (1932).[2] Alvis also occasionally played baritone saxophone in this ensemble as well, and was the group's tour manager.[2] From 1935 to 1938, he played with Duke Ellington, working with fellow bassist/tuba player Billy Taylor.[2]
After his period with Ellington, Alvis played with Benny Carter, Joe Sullivan, and Louis Armstrong (in whose ensemble he replaced Pops Foster).[2] From 1942 to 1945, Alvis played in an U.S. Army band led by Sy Oliver.[2] After the war, Alvis played with Dave Martin until 1947, and then took a longstanding run as a house musician at the Café Society nightclub in New York City.[2]
In the 1950s, he played in various swing and Dixieland revival groups, including Wilbur De Paris's.[2] In the early 1970s, he played with Jay McShann and Tiny Grimes in a trio.[2]
Death
Hayes Alvis died at his home on December 29, 1972. He was 65 years old.[3]
References
|
|---|
Discography |
| Studio albums |
- Harlem Jazz, 1930
- Ellingtonia, Vol. One
- Ellingtonia, Vol. Two
- Braggin' in Brass: The Immortal 1938 Year
- The Blanton–Webster Band
- Never No Lament: The Blanton-Webster Band
- Smoke Rings
- Liberian Suite
- Great Times!
- Masterpieces by Ellington
- Ellington Uptown
- The Duke Plays Ellington
- Ellington '55
- Dance to the Duke!
- Ellington Showcase
- Historically Speaking
- Duke Ellington Presents...
- The Complete Porgy and Bess
- A Drum Is a Woman
- Studio Sessions, Chicago 1956
- Such Sweet Thunder
- Studio Sessions 1957 & 1962
- Ellington Indigos
- Black, Brown and Beige
- Duke Ellington at the Bal Masque
- The Cosmic Scene
- Happy Reunion
- Jazz Party
- Anatomy of a Murder
- Festival Session
- Blues in Orbit
- The Nutcracker Suite
- Piano in the Background
- Swinging Suites by Edward E. and Edward G.
- Unknown Session
- Piano in the Foreground
- Paris Blues
- Featuring Paul Gonsalves
- Midnight in Paris
- Studio Sessions, New York 1962
- Afro-Bossa
- The Symphonic Ellington
- Duke Ellington's Jazz Violin Session
- Studio Sessions New York 1963
- My People
- Ellington '65
- Duke Ellington Plays Mary Poppins
- Ellington '66
- Concert in the Virgin Islands
- The Popular Duke Ellington
- Far East Suite
- The Jaywalker
- Studio Sessions, 1957, 1965, 1966, 1967, San Francisco, Chicago, New York
- ...And His Mother Called Him Bill
- Second Sacred Concert
- Studio Sessions New York, 1968
- Latin American Suite
- The Pianist
- New Orleans Suite
- Orchestral Works
- The Suites, New York 1968 & 1970
- The Intimacy of the Blues
- The Afro-Eurasian Eclipse
- Studio Sessions New York & Chicago, 1965, 1966 & 1971
- The Intimate Ellington
- The Ellington Suites
- This One's for Blanton!
- Up in Duke's Workshop
- Duke's Big 4
- Mood Ellington
|
|---|
| Live albums |
- Duke Ellington at Fargo, 1940 Live
- Black, Brown, and Beige
- The Carnegie Hall Concerts: January 1943
- The Carnegie Hall Concerts: December 1944
- The Carnegie Hall Concerts: January 1946
- The Carnegie Hall Concerts: December 1947
- Ellington at Newport
- Dance Concerts, California 1958
- Dance Dates, California 1958
- Newport 1958
- Jazz at the Plaza Vol. II
- Duke Ellington at the Alhambra
- Live at the Blue Note
- Hot Summer Dance
- The Great Paris Concert
- A Concert of Sacred Music
- In the Uncommon Market
- Soul Call
- Yale Concert
- 70th Birthday Concert
- Togo Brava Suite
- Live at the Whitney
- Third Sacred Concert
- Eastbourne Performance
|
|---|
| Collaborations | |
|---|
| Compositions |
- "African Flower"
- "All Too Soon"
- "Azure"
- "Black and Tan Fantasy"
- "Black, Brown and Beige"
- "C Jam Blues"
- "Come Sunday"
- "Cotton Tail"
- "Creole Love Call"
- "Day Dream"
- "Diminuendo and Crescendo in Blue"
- "Do Nothing Till You Hear from Me"
- "Don't Get Around Much Anymore"
- "Drop Me Off in Harlem"
- "East St. Louis Toodle-Oo"
- "Echoes of Harlem"
- "Everything but You"
- "I Ain't Got Nothin' but the Blues"
- "I Didn't Know About You"
- "I Got It Bad (and That Ain't Good)"
- "I Let a Song Go Out of My Heart"
- "I'm Beginning to See the Light"
- "I'm Just a Lucky So-and-So"
- "In a Mellow Tone"
- "In a Sentimental Mood"
- "It Don't Mean a Thing (If It Ain't Got That Swing)"
- "Just A-Sittin' and A-Rockin'"
- "Just Squeeze Me (But Please Don't Tease Me)"
- "The Mooche"
- "Mood Indigo"
- " Prelude to a Kiss"
- "Rocks in My Bed"
- "(In My) Solitude"
- "Sophisticated Lady"
- Queenie Pie (unfinished opera)
| by Billy Strayhorn | |
|---|
| by Juan Tizol | |
|---|
|
|---|
Orchestra members | |
|---|
| Related | |
|---|
Authority control databases |
|---|
| International | |
|---|
| National | |
|---|
| Artists | |
|---|
| People | |
|---|
| Other | |
|---|