This article is about the 1888 Van Gogh painting. For the 1889 Van Gogh painting on the same theme, see The Starry Night. For other uses, see Starry Night (disambiguation).
Starry Night[1] (September 1888, French: La Nuit étoilée), commonly known as Starry Night Over the Rhône, is one of Vincent van Gogh's paintings of Arles at night. It was painted on the bank of the Rhône that was only a one or two-minute walk from the Yellow House on the Place Lamartine, which van Gogh was renting at the time. The night sky and the effects of light at night provided the subject for some of van Gogh's more famous paintings, including Café Terrace at Night (painted earlier the same month) and the June, 1889, canvas from Saint-Remy, The Starry Night.
A sketch of the painting is included in a letter van Gogh sent to his friend Eugène Boch on 2 October 1888.[2]
Starry Night, which is now in the Musée d'Orsay in Paris, was first exhibited in 1889 at Paris' annual exhibition of the Société des Artistes Indépendants. It was shown together with van Gogh's Irises, which was added by Vincent's brother, Theo, although Vincent had proposed including one of his paintings from the public gardens in Arles.
Subject matter
A similar view of the site, 2008
The view is from the quay on the east side of the Rhône, into the knee of the river towards the western shore: coming down from the north, the Rhône turns to the right at this point to surround the rocks on which Arles is built. From the towers of Saint-Julien and Saint-Trophime at the left, the spectator follows the east bank up to the iron bridge connecting Arles to the suburb of Trinquetaille on the right, western bank. This implies a view from Place Lamartine towards the southwest.
43°40′57″N4°37′49″E / 43.682367°N 4.630287°E / 43.682367; 4.630287 Though, as noted below this is not consistent with the stars portrayed as the Plough in Ursa Major would not be visible in that direction.
Genesis
Letter sketch, 2 October 1888, now in the Van Gogh Museum, Amsterdam
Van Gogh announced and described this composition in a letter to his brother Theo:
Included a small sketch of a 30 square canvas - in short the starry sky painted by night, actually under a gas jet. The sky is aquamarine, the water is royal blue, the ground is mauve. The town is blue and purple. The gas is yellow and the reflections are russet gold descending down to green-bronze. On the aquamarine field of the sky the Great Bear is a sparkling green and pink, whose discreet paleness contrasts with the brutal gold of the gas. Two colorful figurines of lovers in the foreground.[3]
In reality, the view depicted in the painting faces away from Ursa Major, which is to the north. The foreground indicates heavy rework, wet-in-wet, as soon as the first state was finished.[4] The letter sketches executed at this time probably are based on the original composition.
Colours of the night
The challenge of painting at night intrigued van Gogh. The vantage point he chose for Starry Night allowed him to capture the reflections of the gas lighting in Arles across the glimmering blue water of the Rhône. In the foreground, two lovers stroll by the banks of the river.
Depicting colour was of great importance to Vincent; in letters to his brother, Theo, he often described objects in his paintings in terms of colour. His night paintings, including Starry Night, emphasize the importance he placed on capturing the sparkling colors of the night sky and of the artificial lighting that was new to the era.
The Great Bear
In September 1888, when Vincent van Gogh painted this picture on the banks of the Rhône, he saw the city of Arles looking south-west. The Great Bear will never be visible in that direction. On the other hand, he only had to turn his head to the north to see the constellation in exactly the position depicted. This painting is therefore an assemblage of a terrestrial plane and a celestial plane.[5]
The Star Flowers
In 1888, when he painted the night sky, the stars resemble flowers. By the time he painted The Starry Night in 1889, his technique has evolved, the brightness of the stars being symbolized by concentric dotted circles.[5]
Dorn, Roland: Décoration: Vincent van Gogh's Werkreihe für das Gelbe Haus in Arles, Georg Olms Verlag, Hildesheim, Zürich & New York 1990 ISBN 3-487-09098-8 / ISSN 0175-9558
Fantin-Latour: Around the Piano – The Corner of the Table – Homage to Delacroix – A Studio at Les Batignolles
Gauguin: Arearea – The Beautiful Angel – Breton Peasant Women – The Schuffenecker Family – Self-Portrait in a Hat – Self-Portrait with the Yellow Christ – Tahitian Women on the Beach – Vairumati
Gérôme: The Cock Fight – Jerusalem – Reception of the Grand Condé at Versailles
Gervex: A Session of the Painting Jury
Glaize: The Gallic Women: Episode from the Roman Invasion
Manet: The Balcony – Berthe Morisot with a Bouquet of Violets – Blonde Woman with Bare Breasts – Bullfight – Le Déjeuner sur l'herbe – Flowers in a Crystal Vase – The Fifer – Madame Manet at the Piano – Olympia – The Port of Boulogne by Moonlight – Portrait of Clemenceau – Portrait of Emile Zola – Portrait of Marguerite de Conflans[1] – Portrait of Monsieur and Madame Manet – Portrait of Stéphane Mallarmé – The Reading – A Sprig of Asparagus – The Waitress
Monet: The Artist's Garden at Giverny – A Cart on the Snowy Road at Honfleur – Le Déjeuner sur l'herbe – The Magpie – Regatta at Argenteuil – Resting Under a Lilac Bush – The Road in Front of Saint-Simeon Farm in Winter – Women in the Garden
Regnault: Summary Execution under the Moorish Kings of Granada
Renoir: Bal du moulin de la Galette – The Bathers – Dance in the City – Dance in the Country – Frédéric Bazille at his Easel – Girls at the Piano – Portrait of the Painter Claude Monet – Portrait of William Sisley – The Swing
Sisley: Avenue of Poplars near Moret-sur-Loing – The Canal du Loing – The Canal Saint-Martin – Chemin de la Machine, Louveciennes – The Forge at Marly-le-Roi – Regatta at Molesey near Hampton Court – Resting by a Stream at the Edge of the Wood – Rue de la Chaussée in Argenteuil – View of the Canal Saint-Martin – The Village of Voisins