The Worcester Hunt, in Worcester Art Museum, is the largest Antioch Mosaic in the United States.
Antioch was an ancient city located just outside the modern day city of Antakya, Turkey.[1] During the reign of Hadrian, during the 2nd century, through to the reign of Justinian in the 6th century, mosaic floors were the fashion in the city and its surrounding suburbs. The city thrived until it was destroyed by earthquakes in 526 and 528.[2]
Beginning in 1932, a consortium of museums and institutions sponsored expeditions to the archaeological sites where the city of Antioch once stood. These museums, the Worcester Art Museum, Princeton University, the musée du Louvre, the Baltimore Museum of Art, and Harvard University's affiliate Dumbarton Oaks,[3] were attempting to uncover great monuments, palaces, and treasures, but were disappointed when most of what was unearthed, under tons of silt, was just the remains of houses, most without any remaining walls. The only surviving part of the majority of the houses was the floors.[4]
The floors the archaeologists discovered were covered in intricate mosaics. More than 300 mosaics were found.[4]
In 1939 the expedition ended and the archaeologists packed up to leave. They left about half of the unearthed mosaics to the city of Antakya, the modern day city located at Antioch, which subsequently built a museum, the Antakya Archaeological Museum, to house them. The rest of the mosaics were split up amongst the institutions that took part in the dig, and were sent all over the world.[4] To be transported, large amounts of concrete was poured behind the mosaics to create a stable backing.[1] When dividing up the floors, the archeologists, often took apart rooms and sent different parts of the floor to different museums. For an exhibit at the Worcester Art Museum in 2000, mosaics were compiled from Paris, Baltimore, Princeton and Wellesley, to reassemble a single room's floor.[4] After the expedition left, the pits were filled back in and olive groves were planted over them.[4]
Art
The Antioch mosaics were created at a time and place between distinct artistic styles. They show the link between artistic styles of ancient Greece and Rome, and the art of early Christianity.[2] The mosaics are incredibly large, with "The Worcester Hunt," the largest Antioch mosaic in the United States,[3] measuring 20.5 feet (6.26 m) x 23.3 feet (7.11 m).[5] The mosaics range in design from realistic imagery and scenes, to purely geometric patterns.[4] It is believed that the mosaics were created by mosaic specialists.[1]
The tesserae for the mosaics include both white and colored marble as well as white and colored limestone.[5]
Realistic scene, The Judgement of ParisLouvre Museum
Chardin: The Attributes of Civilian and Military Music; The Attributes of Music, the Arts and the Sciences; Boy with a Spinning-Top; The Buffet; The Ray; Saying Grace
La Tour: The Adoration of the Shepherds; The Card Sharp with the Ace of Diamonds; Joseph the Carpenter; Magdalene with the Smoking Flame; Saint Sebastian Tended by Saint Irene
Poussin: Camillus Handing the Falerian Schoolmaster over to his Pupils; Et in Arcadia ego; The Four Seasons; The Funeral of Phocion; The Inspiration of the Poet; Landscape with Orpheus and Eurydice
Quarton: Pietà of Villeneuve-lès-Avignon
Robert: Principal Monuments of France; Project for the Transformation of the Grande Galerie du Louvre
Scheffer: Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil
Vernet C.: A Mediterranean Port
Vernet H.Raphael at the Vatican
Vigée Le Brun: Peace Bringing Back Abundance; Portrait of Joseph Vernet; Self-Portrait with Julie (Self-Portrait à la Grecque); Self-Portrait with Julie (Maternal Tenderness)
Bellini: Christ Blessing; Madonna and Child with Saint Peter and Saint Sebastian; Portrait of a Young Man
Botticelli: Three Scenes from the Life of Esther; Venus and the Three Graces Presenting Gifts to a Young Woman; A Young Man Being Introduced to the Seven Liberal Arts
Perugino: Apollo and Daphnis; The Battle Between Love and Chastity; Madonna and Child with St John the Baptist and St Catherine of Alexandria; Madonna and Child with St Rose and St Catherine (with Ingegno); St Sebastian; Young Saint with a Sword
Piero della Francesca: Portrait of Sigismondo Pandolfo Malatesta
Romano: Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola (with Raphael)
Salviati: The Incredulity of Saint Thomas
Savoldo: Portrait of a Clad Warrior
Signorelli: Adoration of the Magi; Birth of John the Baptist
Tintoretto: Self Portrait
Titian: Allegory of Marriage; The Crowning with Thorns; The Entombment of Christ; Madonna of the Rabbit; Man with a Glove; Pardo Venus; Pastoral Concert (also attributed to Giorgione); Pilgrims at Emmaus; Saint Jerome in Penitence; Virgin and Child with Saints Stephen, Jerome and Maurice; Woman with a Mirror
Rembrandt: The Archangel Raphael Leaving Tobias' Family; Bathsheba at Her Bath; Landscape with a Castle; Pendant portraits of Marten Soolmans and Oopjen Coppit; Philosopher in Meditation; Saint Matthew and the Angel; Self-Portrait; Slaughtered Ox
Rubens: Helena Fourment with a Carriage; Helena Fourment with Children; Hercules and Omphale; Ixion, King of the Lapiths, Deceived by Juno, Who He Wished to Seduce; Marie de' Medici cycle; The Village Fête; The Virgin and Child Surrounded by the Holy Innocents
Ruisdael: Dune Landscape near Haarlem; The Ray of Light; Storm Off a Sea Coast
Scheffer: Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil