| Baal with Thunderbolt |
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 Photograph of the stele |
| Material | Limestone |
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| Height | 142 centimetres (56 in) |
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| Width | 50 centimetres (20 in) |
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| Depth | 28 centimetres (11 in) |
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| Created | c. 15th century BC |
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| Period/culture | Late Bronze Age |
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| Discovered | 1932 |
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| Place | Temple of Baal, Ugarit, Syria |
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| Present location | Louvre, Paris |
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| Identification | AO 15775 |
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Baal with Thunderbolt, Baal with Vegetation Spear, or simply the Baal stele are names given to a white limestone bas-relief stele from the ancient kingdom of Ugarit in northwestern Syria. It was discovered in 1932, about 20 metres (66 ft) from the Temple of Baal in the acropolis of Ugarit during excavations directed by French archæologist Claude Schaeffer. The stele depicts Baal (or Hadad), the god of storm and rain as well as that of agriculture, and a smaller male figure.
Considered the most important of the Ugaritic stelæ, it is displayed at the Louvre in Paris.[1]
Overview
Dimensions
Carved from white limestone, the stele is wider at the base and measures 142 by 50 centimetres (56 in × 20 in).[2] It depicts two standing male figures: the larger representing Baal, and the smaller most likely representing the king of Ugarit.[1]
Baal
Baal, the god of storms, rain, and agriculture, is the stele's central figure. He is shown facing to the right and standing on a large pedestal.[1] The pedestal bears carved representations of Baal's spheres of power, the mountains and the sea.[3] Baal is shown with a raised right hand brandishing a club or battle-mace overhead. His left hand is stretched in front of him and holds a thunderbolt in the shape of a spearhead that extends towards the ground.[1] The shaft is in the form of a plant, likely a cultivated grain that would be nourished by the storm. The bearded god is shown wearing a helmet decorated with bull's horns, from under which his braided hair falls over his back and his right shoulder. Baal is shown clad only in a kilt with striped decorations. The kilt is held by a finely carved wide belt that also holds a curved dagger.[4]
King of Ugarit
A man, who is shown with a bare head and wearing ceremonial dress, is depicted standing on a horned altar between the spear and the god. His arms, hidden under a braid-trimmed robe, are clasped together in prayer. This smaller figure probably represents the king of Ugarit.[1]
Interpretation
The stele is interpreted as showing the king humbly submitting himself to Baal and receiving the god's protection in return. Additionally, Baal is shown thrusting a spear of vegetation into the ground from the sky, symbolising the necessity of the storm for a later harvest.[1] Despite the close relationship between the king and the god depicted in the stele, the difference in size between the two figures is interpreted by historian Mark S. Smith as contrasting the power and glory of Baal with the 'relative weakness of the king'.[5] Baal's fertility attributes are represented by the horned helmet, and the plant-shaped lightning rod he holds in his hand.[6] According to historian Alberto Green, Baal is portrayed as a 'vigorous, young, graceful, athletic deity marching forward'.[7]
Excavation
The stele was discovered in 1932 during excavations at Ugarit directed by French archæologist Claude Schaeffer.[3] While the stele was unearthed about 20 metres (66 ft) from the Temple of Baal on its southern slope,[2] it was probably originally housed inside the temple.[3] Additionally, eight more stelae were recovered from the area, while another fourteen were unearthed in the Temple of Dagon and throughout the city.[1]
See also
References
Citations
- ^ a b c d e f g Caubet, Annie. "Stela Depicting the Storm God Baal". Louvre. Retrieved 27 October 2012.
- ^ a b Caquot; Sznycer, 1980, p. 24.
- ^ a b c Yon, 2006, p. 110.
- ^ Schaeffer, 1933, p. 123.
- ^ Smith, 2009, p. 21.
- ^ Gordon; Sarna, 1997, p. 107.
- ^ Green, 2003, p. 165.
Bibliography
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Paintings |
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| French | |
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| Italian |
- Fra Angelico: Coronation of the Virgin
- Antonello da Messina: Christ at the Column
- Arcimboldo: The Four Seasons
- Bellini: Christ Blessing; Madonna and Child with Saint Peter and Saint Sebastian; Portrait of a Young Man
- Botticelli: Three Scenes from the Life of Esther; Venus and the Three Graces Presenting Gifts to a Young Woman; A Young Man Being Introduced to the Seven Liberal Arts
- Caravaggio: Death of the Virgin; The Fortune Teller; Portrait of Alof de Wignacourt and his Page
- Carpaccio: The Sermon of St. Stephen
- Carracci: Fishing; Hunting
- Cimabue: Maestà
- Correggio: Allegory of Vice; Allegory of Virtue; Mystic Marriage of Saint Catherine; Venus and Cupid with a Satyr
- Costa: Allegory of Isabella d'Este's Coronation; Reign of Comus
- Ghirlandaio: An Old Man and his Grandson; Visitation
- Giordano: Adoration of the Shepherds; Marriage of the Virgin
- Giotto: Saint Francis Receiving the Stigmata
- Guardi: The Doge on the Bucintoro near the Riva di Sant'Elena
- Leonardo: Bacchus; La belle ferronnière; Mona Lisa; Saint John the Baptist; The Virgin and Child with Saint Anne; Virgin of the Rocks
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- Martini: The Carrying of the Cross
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- Palmezzano: Dead Christ
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- Perugino: Apollo and Daphnis; The Battle Between Love and Chastity; Madonna and Child with St John the Baptist and St Catherine of Alexandria; Madonna and Child with St Rose and St Catherine (with Ingegno); St Sebastian; Young Saint with a Sword
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- Pisanello: Portrait of a Princess
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- Raphael: Angel Holding a Phylactery; La belle jardinière; Holy Family of Francis I; Madonna with the Blue Diadem (with Penni); Portrait of Baldassare Castiglione; Saint George; Saint Michael; Saint Michael Vanquishing Satan; Self-Portrait with a Friend; Small Holy Family
- Reni: The Abduction of Helen; Annunciation
- Romano: Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola (with Raphael)
- Salviati: The Incredulity of Saint Thomas
- Savoldo: Portrait of a Clad Warrior
- Signorelli: Adoration of the Magi; Birth of John the Baptist
- Tintoretto: Self Portrait
- Titian: Allegory of Marriage; The Crowning with Thorns; The Entombment of Christ; Madonna of the Rabbit; Man with a Glove; Pardo Venus; Pastoral Concert (also attributed to Giorgione); Pilgrims at Emmaus; Saint Jerome in Penitence; Virgin and Child with Saints Stephen, Jerome and Maurice; Woman with a Mirror
- Tura: Pietà with Saints
- Uccello: The Battle of San Romano
- Veronese: The Wedding at Cana
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| Northern |
- Bosch: Ship of Fools
- Bruegel: The Beggars
- Christus: Lamentation (Pietà)
- David: Cervara Altarpiece; Triptych of the Sedano family
- Dürer: Portrait of the Artist Holding a Thistle
- van Dyck: Charles I at the Hunt; Crucifixion with the Virgin Mary, St John and St Mary Magdalene; Madonna and Child with Two Donors
- van Eyck: Madonna of Chancellor Rolin
- Friedrich: The Tree of Crows; Seaside by Moonlight
- Hals: Catharina Both-van der Eem; The Gypsy Girl; The Lute Player
- Holbein: Portrait of Erasmus of Rotterdam; Portrait of Nicolaus Kratzer
- de Hooch: Card Players in a Rich Interior
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- Matsys: The Money Changer and His Wife
- Memling: Diptych of an elderly couple
- Metsu: The Vegetable Market in Amsterdam
- van Ostade: The Fish Market
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- Rubens: Helena Fourment with a Carriage; Helena Fourment with Children; Hercules and Omphale; Ixion, King of the Lapiths, Deceived by Juno, Who He Wished to Seduce; Marie de' Medici cycle; The Village Fête; The Virgin and Child Surrounded by the Holy Innocents
- Ruisdael: Dune Landscape near Haarlem; The Ray of Light; Storm Off a Sea Coast
- Scheffer: Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil
- Vermeer: The Astronomer; The Lacemaker
- van der Weyden: Annunciation Triptych; Braque Triptych
- Wtewael: Perseus Freeing Andromeda
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| Spanish |
- El Greco: Christ on the Cross Adored by Two Donors; Portrait of Antonio de Covarrubias; Saint Louis
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- Murillo: The Birth of the Virgin; The Young Beggar
- Ribera: The Clubfoot
- Zurbarán: Displaying the Body of Saint Bonaventure; Saint Apollonia
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| English |
- Bonington: Francis I, Charles V and the Duchess of Étampes
- Lewis: Street Scene near the El Ghouri Mosque in Cairo
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| American |
- Leutze: Christopher Columbus Before the Council of Salamanca
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