Minerva Fighting Mars (1771) by Jacques-Louis David
Minerva Fighting Mars (Combat de Mars contre Minerve) is an oil-on-canvas painting created in 1771 by the French artist Jacques-Louis David and now in the Louvre.
History
David produced the painting to compete for the Prix de Rome of 1771. For the competition, he and the seven other participating artists were assigned the task of painting a new work in 10 weeks on a set subject, which that year was the Iliad. David's painting was awarded the second prize as the Prix de Rome was given to Joseph-Benoît Suvée.[1] David believed that harsh criticism of his work by his teacher Joseph-Marie Vien had caused the prize to be awarded to an inferior painter, and became disgruntled with the academy, which he considered to be a dishonest institution.[2] In 1774, David finally won the competition on his fourth attempt with Erasistratus Discovering the Cause of Antiochus' Disease.[1]
See also
List of paintings by Jacques-Louis David
References
^ abLee, S. "David, Jacques-Louis". Grove Art Online.
Chardin: The Attributes of Civilian and Military Music; The Attributes of Music, the Arts and the Sciences; Boy with a Spinning-Top; The Buffet; The Ray; Saying Grace
La Tour: The Adoration of the Shepherds; The Card Sharp with the Ace of Diamonds; Joseph the Carpenter; Magdalene with the Smoking Flame; Saint Sebastian Tended by Saint Irene
Poussin: Camillus Handing the Falerian Schoolmaster over to his Pupils; Et in Arcadia ego; The Four Seasons; The Funeral of Phocion; The Inspiration of the Poet; Landscape with Orpheus and Eurydice
Quarton: Pietà of Villeneuve-lès-Avignon
Robert: Principal Monuments of France; Project for the Transformation of the Grande Galerie du Louvre
Scheffer: Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil
Vernet C.: A Mediterranean Port
Vernet H.Raphael at the Vatican
Vigée Le Brun: Peace Bringing Back Abundance; Portrait of Joseph Vernet; Self-Portrait with Julie (Self-Portrait à la Grecque); Self-Portrait with Julie (Maternal Tenderness)
Bellini: Christ Blessing; Madonna and Child with Saint Peter and Saint Sebastian; Portrait of a Young Man
Botticelli: Three Scenes from the Life of Esther; Venus and the Three Graces Presenting Gifts to a Young Woman; A Young Man Being Introduced to the Seven Liberal Arts
Perugino: Apollo and Daphnis; The Battle Between Love and Chastity; Madonna and Child with St John the Baptist and St Catherine of Alexandria; Madonna and Child with St Rose and St Catherine (with Ingegno); St Sebastian; Young Saint with a Sword
Piero della Francesca: Portrait of Sigismondo Pandolfo Malatesta
Romano: Portrait of Doña Isabel de Requesens y Enríquez de Cardona-Anglesola (with Raphael)
Salviati: The Incredulity of Saint Thomas
Savoldo: Portrait of a Clad Warrior
Signorelli: Adoration of the Magi; Birth of John the Baptist
Tintoretto: Self Portrait
Titian: Allegory of Marriage; The Crowning with Thorns; The Entombment of Christ; Madonna of the Rabbit; Man with a Glove; Pardo Venus; Pastoral Concert (also attributed to Giorgione); Pilgrims at Emmaus; Saint Jerome in Penitence; Virgin and Child with Saints Stephen, Jerome and Maurice; Woman with a Mirror
Rembrandt: The Archangel Raphael Leaving Tobias' Family; Bathsheba at Her Bath; Landscape with a Castle; Pendant portraits of Marten Soolmans and Oopjen Coppit; Philosopher in Meditation; Saint Matthew and the Angel; Self-Portrait; Slaughtered Ox
Rubens: Helena Fourment with a Carriage; Helena Fourment with Children; Hercules and Omphale; Ixion, King of the Lapiths, Deceived by Juno, Who He Wished to Seduce; Marie de' Medici cycle; The Village Fête; The Virgin and Child Surrounded by the Holy Innocents
Ruisdael: Dune Landscape near Haarlem; The Ray of Light; Storm Off a Sea Coast
Scheffer: Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil